The Enlightenment Show with Lo Patrick
Welcome to The Enlightenment Show, Lo! I’m so excited to
have you joining us to talk about your upcoming book, The Floating Girls.
·
Can you give the readers a brief synopsis
about The Floating Girls?
Twelve-year-old Kay Whitaker lives
in the proverbial last-house-on-the-block in Godforsaken Bledsoe,
Georgia—a town barely staying afloat on Georgia’s sodden marshland. Kay is a
real spitfire
who wanders off behind her home one afternoon only to discover a boy and a
house she
never knew were there. She’s infatuated with the boy—Andy Webber, and against
her parents’ wishes, instigates a
friendship with him and his quiet father. In doing so, Kay unwittingly unearths
a long-buried mystery and triggers another tragedy—when her sister Sarah-Anne suddenly
disappears. Kay’s wayward family’s dark past is exposed, changing Kay and her brothers’ lives
forever.
·
You have created such a vivid and immersive
setting. Where did you draw from to bring us into this town in Georgia?
Contrary to
common opinion, Georgia is a coastal state. Having grown up in Atlanta, I spent
my childhood landlocked, but that is not so for all of my home state. Georgia
has a small but diverse coastline that includes all manner of ecosystems. When
one is near Georgia’s coast, there are miles and miles of desolate roads with
very little development. Small houses sit back from the street under live oak
canopies draped in Spanish moss. It is impossible to remain unmoved by the
sight. While this is often the stuff of
postcards and tourist brochures, it is also normal, everyday life for a lot of
people in the small near-coastal towns in Georgia. While development and
progress engulf much of the state, some areas will always be left behind. I
have seen dozens of these towns, stretches of land, and small pockets of
civilization that look and feel much as they likely did fifty years ago. I
found I was creating Kay, her family, her angst, her dismay, and determination
every time we were on one of these byways.
·
Your main character, Kay, has a strong voice
and personality but is also ignored in many regards. In what ways were you like
her at age twelve? What are some major differences?
Thankfully,
my childhood was absolutely nothing like Kay’s. My parents were engaged, responsible, and devoted. I was also probably not very much like Kay at twelve.
I might have fancied myself a real firecracker, and although I likely was one
behind closed doors, I was much more of a pleaser, goody-two-shoes type at that
age. I didn’t have to contend with what Kay does, though, and in that might lie
the biggest difference between us-- circumstance. Kay is a product of her home
life. I do, however, have two brothers, and I am sure my experience trying to
find my spot between them heavily peppered the writing in The Floating Girls.
In that way, I completely relate to Kay!
·
What sparked your
curiosity to begin writing The Floating Girls?
I tend to write
from the seat of my pants, so I just began one day and enjoyed Kay’s voice so
much, I kept on with her story. The plot of
The Floating Girls changed several times but the central elements and
characters remained the same throughout the editing process. Kay more or less
told me the story. I just had to slow down and listen to her.
·
I loved the concept from a kid’s perspective
of meeting someone new and being curious to having your parents say to stay far
away. Has there ever been something that you’ve been curious about, and someone
told you to stay away? What was it? Did you listen, or did you investigate?
Of course! And as a parent, I now understand that the
second you tell a child that something is off limits, that something or someone
becomes exponentially more interesting! What also propelled Kay was her
loneliness. She was not allowed friends, playmates, or any sort of social life at
all other than passing the time with her brothers. I think the idea that she
could so easily reach a peer from her house on Hack Road made her all the more
enthusiastically pursue the friendship in spite of her parents’ protestations.
·
What was something that surprised you about
yourself as you wrote The Floating Girls?
I was surprised I could become Kay so easily every
time I sat down to write. As I said, we have very little in common, but I had
her so deeply in my psyche during the writing process that I could literally
hear her, and think like her while working. I
was also much more excited about the editing process with this book than I have been with past projects. I am normally a reluctant editor, thinking I am making things worse and not better, but with this manuscript, I found growth in the narrative each time I sat down to edit on my own, or with my agent or editor.
It was enormously beneficial and has made me a better writer.
INNER CHILD SEGMENT
·
What things did you imagine and dream about
when you were twelve?
The Olympics! I
was a gymnast and cared for little else in the world. It is strange now to imagine
all that I put into something I would leave—and rather resentfully only a
couple of years later, but at that time, I had designs on gymnastics stardom.
We trained six days a week. It was grueling. I do wonder why I was so
committed!
·
When you go to a gas station, what is your
treat or drink of choice? Why?
Spicy
nuts—always. Wasabi almonds, chili roasted pistachios, the list goes on. The
gas station always has the best selection of these, and I have tried them all!
I also love chocolate milk from the gas station. Nestle Quick reminds me of my
childhood.
·
What’s the oddest food combo that you’ve
liked and tried, or just tried?
I can eat
coleslaw on anything. It is almost like a condiment to me. I thought I was
alone in this, but in Sweden, pizza comes with a side of coleslaw—in an
oil-based dressing, infinitely inferior to the southern mayonnaise-laden style
in my humble opinion—but I felt completely justified the first time I ate pizza
in Sweden—with a side of slaw.
·
What advice can you share with our readers
about living a joyful life?
The older I get,
the less self-conscious I am, which has caused a serious uptick in
happiness. I dance in the grocery store, laugh out loud during movies, and
can—most importantly—laugh at myself a lot more easily than I used to. So—my
advice, you are probably pretty hilarious…give yourself a chance to make yourself
smile!
·
Where can the readers connect with you? Where
can they find your book?
The book is
pretty much everywhere. I have been given some awesome opportunities by
smaller, local bookstores in the Atlanta area, so in return I hope readers will
support their local stores as well, wherever they might be.
Congratulations
on the release of The Floating Girls!! It’s been an absolute pleasure getting
to know you.
No comments:
Post a Comment